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8 January 1836 – 25 June 1912. Most renowned painters.

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GUERCINO
Angels Weeping over the Dead Christ hj

ID: 07229

GUERCINO Angels Weeping over the Dead Christ hj
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GUERCINO Angels Weeping over the Dead Christ hj


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GUERCINO

Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.   Related Paintings of GUERCINO :. | St Gregory the Great with Sts Ignatius and Francis Xavier | Astrologia | The Dead Christ Mourned by two Angels | St John the Baptist | Martyrdom of St Catherine sdg |
Related Artists:
Samuel Hieronymous Grimm
Swiss Painter, 1733-1794 Swiss painter and draughtsman, active in England. He studied in Berne under Johann Ludwig Aberli and became established as a painter of topographical views in oil and watercolour. His early surviving works (e.g. River Landscape and Landscape with Chasseurs; Basle, priv. col.) are principally tinted drawings of landscapes and alpine scenery, with scenes of rustic life in the foreground; they display his characteristically charming and informal style. He also produced many decorative book illustrations: the frontispiece and plates to Friedrich von Hagedorn's Poetische Werke (1769-72) are among his finest. By 1764 Grimm had abandoned oils and was painting only in watercolour. From 1765 to 1768 he travelled and painted in France; he then moved to England,
Wladyslaw slewinski
(1854-1918) was a Polish painter. He was a student of Gauguin's and a leading artist of the Young Poland movement. Władysław Ślewiski was a Polish painter. He administered his estate in Poland before traveling to Paris in 1888. Once there he studied at the Academie Colarossi where he met Gauguin. The impression this encounter made on him and Gauguin's encouragement prompted Slewinski to dedicate himself to art. He submitted to Gauguin's artistic and personal influence, spending time with him in Paris and, from 1889, in Pont-Aven and Le Pouldu in Brittany. Seascapes painted during this period include Cliffs in Brittany. In 1891 Gauguin painted a portrait of Slewinski and presented it to him. During this period Slewinski exhibited in Paris, with some success, both at the Salon des Independents in 1895 and 1896 and the Galerie Georges Thomas in 1897 and 1898.
PEETERS, Clara
Flemish Baroque Era Painter, 1594-1657






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